|  | 
 
 
 
  An image from our trip to NYC to see the Smithson Floating
	    Island
 
 
  | Islands in the Art World and other constructed
	    islands
 
 Robert Smithson's Floating Island to Travel Around Manhattan
 
 The Living Barge project is visually closest to an art piece conceived in
	    1970 by landscape artist Robert Smithson. Smithson proposed the creation
	    of a park on top of a barge that would circumnavigate Manhattan. This proposal,
	    titled "Floating Island to Travel around Manhattan" was intended to play
	    off the idea of Central Park as an island in the city. As part of a retrospective
	    for Smithson at the Whitney Museum in 2005, Floating Island was realized
	    - thirty years after Smithson's death. While we didn't know about Floating
	    Island until the Living Barge Project was well underway, the Living Barge
	    Project has, more than ever, become a tribute to Smithson and his ideas.
 
 An icon in the environmental arts movement, Smithson found the gallery and
	    the museum to be too intertwined with an elitist, capitalist paradigm. His
	    earthworks were not only set outdoors, but they directly related to, or commented
	    on, their surroundings. More like the great pyramids in Egypt or Mexico than
	    a piece of outdoor sculpture, Smithson's large earthworks are ceremonial
	    in nature and were not meant to be bought, sold, or transported from museum
	    to museum. Smithson also wanted to interact with new audiences in the
	    construction and display of his work.
 
 These principles are something many artists - including Smithson - struggle
	    with. How can we make art that is not just a commodity? How can we bring
	    our art to a wider audience? Is it possible to use art not just as social
	    commentary or propaganda, but something that more actively affects change?
	    Given our own experiences in urban planning and community-based action, our
	    approach was to take tools from these realms and integrate them with the
	    Living Barge Project. We believe that art can respond uniquely to the community
	    in which it is placed and can also be a platform to discuss ideas and examine
	    particular issues in a unique forum. It creates something of which the community
	    is proud, and increases the capabilities of those who see it to think big
	    and envision what they want their community to be.
 
 More Floating Island Links:
 
 One of the nicest
	    photos
	    of the Smithson barge - and an answer to a question we've been wondering
	    for a long time.
 
 Mark Stevens'
	    New York magazine article
 
 A lengthy
	    and thorough article on Floating Island and the Smithson retrospective
	    at the Whitney, by John Haber.
 
	    Other Constructed Islands and
	    Art About Islands 
 Wikipedia article
	    on artificial islands - includes links to Tenochtitlan in Mexico, Dejima
	    in Japan, and some funky stuff going on in Dubai (Palm Islands and The World)
 
 Andrea Zittel: Pocket Property
 
 Pocket Property was a 54-ton concrete island that Zittel built off the coast
	    of Denmark. She lived on the island for several months. In this articulate,
	    observant
	    BOMB
	    magazine interview, Zittel talks about this project and how it is reflective
	    of contemporary American lifestyles.
 
 Spiral
	    Island
 
 Spiral Island is Richie Sowa's labor of love, a tennis-court sized island
	    made of a platform floating on 250,000 empty plastic soda bottles. Located
	    in a lagoon in the resort town of Puerto Aventuras, Spiral Island is an exercise
	    in self-contained living. Richie lives on the island with a dog and a couple
	    of cats in a simple house with a solar oven, a toilet, and a small garden.
	    Several mangrove trees hold the structure together and support the sand and
	    soil. Sarah visited Spiral Island during a trip to Tulum, Mexico in 2004,
	    shortly after she and Nicole had begun exploring concepts for what would
	    become the Floating Barge Project. Sadly, Spiral Island was
	    destroyed in the hurricanes along the Yucatan peninsula
	    in the fall of 2005.
 
 The Island
 
 Last fall, Seattle residents may remember a tropical island on Lake Washington
	    constructed by artists John Sutton, Ben Beres and Zac Culler. In collaboration
	    with Vital
	    5 Productions, the trio spent about 24 hours on the island,
	    'shipwrecked' in torn suits and causing traffic jams on 520 in what turned
	    out to be a hilarious comment on civilization's messed up priorities (just
	    read the Stranger's
	    commentary
	    on the media coverage, which predictably focused on the traffic).
 
 
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